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SHELLEY KIRKWOOD
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SHELLEY KIRKWOOD
Home
Bio
UNDERSTORY
PROXIMAL VISION
TRANSMUTATIONS
REMEMBRANCE
FRUITING BODIES
I'LL FOLLOW THE SUN
THE LUMINOUS MARGIN
SUSPENDED ANIMATION
Upcoming Classes
New England Home Magazine
TOAST Magazine: Botanical Compositions
Orion Magazine: Contemplative Work
Orion Magazine: Behind the Cover
Botanical Art & Artists: Saatchi Gallery Review
Installations
CV
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UNDERSTORY
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FRUITING BODIES
I'LL FOLLOW THE SUN
THE LUMINOUS MARGIN
SUSPENDED ANIMATION
Upcoming Classes
Folder: Press
Back
New England Home Magazine
TOAST Magazine: Botanical Compositions
Orion Magazine: Contemplative Work
Orion Magazine: Behind the Cover
Botanical Art & Artists: Saatchi Gallery Review
Installations
CV
  • “…all things are one thing and one thing are all things —plankton, a shimmering phosphorescence on the sea and the spinning planets and an expanding universe, all bound together by the elastic string of time. It is advisable to look from the tide pool to the stars and then back to the tide pool again.”

    ―John Steinbeck,The Log from the Sea of Cortez

    This series began with daily walks with my two young children when I was a stay-at-home mom. Because my children were small, we spent a lot of time in close proximity to the ground. I began to collect and organize the objects and debris in our immediate environment - particularly at the shoreline margin between the land and the sea. In the studio, I created still lives that distilled my experience of those moments. The images conflate scale, glimmering sea glass held between two fingers is monumentalized here to to suggest a broader experience of that place.

    I am interested in the tension between the momentary and the eternal as we experience it in the landscape. I view these images as playful observations of the ceaseless reverberation between the smaller details, and the infinite whole.

    Giclée on Hahnemühle Fine Art Pearl
    Editions of 10 + 2 AP
    Various sizes ranging between 30×30” and 30 × 45”

    Inquire: shelley@shelleykirkwood.com

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